A CERVANTES' POETIC-METRICAL WORD: AQUELINDO IN EL RUFIAN DICHOSO

2025-02-19 Classification：Dance Click()
Author：Hoyos, Sonia Fernandez; Fernandez de la Torre, Jose Luis

Article Title：A CERVANTES' POETIC-METRICAL WORD: AQUELINDO IN EL RUFIAN DICHOSO

Abstract：
El rufian dichoso is not merely a hagiography of the student-valenton Lugo in Seville and his definitive metamorphosis into Friar Cristobal de la Cruz in Mexico. It is a play that presents a number of technical problems, one of those involving the aquelindo, the poetic composition sung and danced at the beginning of the play. The present article proposes that it here takes the form of a romance-jacara composed of two quintillas (five-line stanzas) and five redondillas (quatrains), and that it should not be confused with the traditional perque, as previously has been suggested.

Keywords: aquelindo; metrics; romance-jacara; Cervantes; El rufian dichoso

DOI: 10.24201/nrfh.v67i1.3465

Source：NUEVA REVISTA FILOLOGIA HISPANICA

Welcome to correct the error, please contact email: humanisticspider@gmail.com

Related Reading

From Paragone to Symbiosis. Sensations of In-Betweenness in Sally Potter's The Tango LessonFrom Paragone to Symbiosis. Sensations of In-Betweenness in Sally Potter's The Tango Lesson
Ensemble practices in the arts: A reflective matrix to enhance team work and collaborative learningEnsemble practices in the arts: A reflective matrix to enhance team work and collaborative learning
Russia and the creation of jazz in the British everyday imaginaryRussia and the creation of jazz in the British everyday imaginary
Tourism, indigenous peoples and cultural heritage in Mexico and ChileTourism, indigenous peoples and cultural heritage in Mexico and Chile