Article Title:AMI: Algorithmic Music Interface
Abstract:
In Latin America, the practice of algorithmic composition boasts famous representatives such as the Argentine Horacio Vaggione or the Mexican Julio Estrada. However, there isn't much history of software or computer tools created for this purpose. Additionally, the software available for algorithmic music creation mostly requires particular knowledge from composers. AMI (Algorithmic Musical Interface) is a tool developed in Latin America within the Max for Live environment. It not only allows for the algorithmic and straightforward generation of symbolic data lists but also categorizes these sequences to provide a list of relationships or similarities that the composer can use as suggestions for connecting musical parts.
Keywords: Latin-American technology; algorithmic music; Max for Live; sequence classification
DOI: 10.5216/mh.v24.78922
Source:MUSICA HODIE
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