Art

Dance

MAIN CONTRIBUTION OF JUANJO LINARES TO POPULAR TRADITIONAL DANCE

Click(1)

The choreographic composition, as it was configured in the works of the choreographers until 1996, produced multiple problems to the traditional folk dance. One of the most important, was the devastating result generated on its essential elements, reachin

DANCE, RHYTHM, AND SOCIAL SPACE
Dance

DANCE, RHYTHM, AND SOCIAL SPACE

Click(3)

Does contemporary phenomenology envision movement in space as a displacement from a point A to a point B? Is there something more at stake in the movement of our bodies, that cannot be reduced to this type of displacement ? What happens when several bodie

Dance

The dancing body in peace education

Click(2)

This article discusses the potentials of the dancing body in peace education seen from a transrational perspective. The author explores how the multifaceted and creative body as worked with in the conscious dance and movement practice Open Floor can be ta

Dance

The semantics of the structural elements in Tuvan dance

Click(2)

The article presents an analysis of the dance gestures and the geometry of dance as ritual and ceremonial heritage of Tuvans. Dance is understood as an integral cultural phenomenon with its own rituals and ceremonial, as well as motions, posture and gestu

Music

A fuzzy model for optical recognition of musical scores

Click(2)

Optical music recognition aims at reading automatically scanned scores in order to convert them in an electronic format, such as a midi file. We only consider here classical monophonic music: we exclude any music written on several staves, but also any mu

Music

Synchronization of musical words

Click(1)

We study the synchronization of musical sequences by means of an operation defined on finite or infinite words called superimposition. This operation can formalize basic musical structures such as melodic canons and serial counterpoint. In the case of cir

Dance

BOLERO AND FLAMENCO DANCES IN SEVILLIAN COSTUMBRISTA PAINTING

Click(1)

Between 1840 and 1860, one of the most prosperous periods of Sevillian painting took place. A new theme appeared, that of the dance compositions. A national and international market was developed that demanded them in oil paintings, watercolors and lithog

Dance

Vertical dance: A tool for producing new social spaces

Click(3)

Henri Lefebvre proposed that in order to improve our lives we need to change space. Drawing on Marxist ideas of production he developed a triadic theory of space, which he proposed could be brought together through the lived experience of the body, in par